Praful is a native German, but he moved to Holland
at the age of 23 to study at the Amsterdam School of Arts.
There he studied saxophone and flute before disappearing for
some soul-searching at an Indian ashram as well as in Brazil.
When he returned, he was newly inspired, combining work with
Indian, African, and Brazilian musicians with newly spawned
electronic musical styles such as trip hop & drum ‘n’
bass. Praful sought to combine these musical styles employing
production values found in modern smooth jazz and chill out
music. This has been his musical vision since the ‘90s,
and he continued to work this territory to some European success.
American listeners first caught wind of Praful with his 2003
release One Day Deep. That album, like the current
one, was released on Dave Koz’s Rendezvous Entertainment
(together with N-Coded Music). That album fit well into most
smooth jazz radio playlists, and broke through in the U.S.
on the strength of the hit single “Sigh.” Though
One Day Deep was a simpler, less mutli-layered album
than the latest, Pyramid In Your Backyard, the vision
was similar, and there was enough individuality there to let
astute listeners know that this was not the average smooth
jazz release.
That individuality blossoms on Pyramid In Your Backyard.
Before talking a bit about some of the specific tracks, I
want to make it very clear to all readers that we are not
talking about a jazz-based album here. This is music that
is rooted in contemporary, smooth instrumental music, but
which incorporates very interesting elements that include
Brazilian, African, and Middle Eastern rhythms and percussion
as well as vocals, and a healthy dose of European trip-hop
and ambient chill out music. It could appeal equally to adventurous
listeners of smooth jazz or electronica. Ultimately, its soul
seems closest to electronica. To judge Pyramid In Your
Backyard as jazz or even smooth jazz is to judge it on
alien terms.
The same trio of Praful, Roberto Adani, and Daniel Wolf powers
this CD, with the addition of some powerful vocal performances.
Brazilian singer Katia Moraes contributes strong lead vocals
to the beat-propelled proto-samba “Acredite” and
the trippy, Eastern-influenced ‘Ponto De Partida.”
Indian singer Sandhya Sanjana brings her tantalizing voice
to the bubbling “Says Kabir,” on which Praful
also plays bansuri, the Indian bamboo flute. These are among
the most interesting tracks, along with the funky opener,
“Moon Glide” and the swirling beat of “Drop
To the Ocean.” A few tracks serve up more standard contemporary
R&B fare, such as “April Seven,” “Naked,”
and “Eternity.” These are among the least interesting
tracks. The rest fall somewhere in between, but the overall
effect is what’s important on an album of this type,
and there is no doubt that Praful is able to create and sustain
a mood that is sophisticated, smooth, multi-cultural, and
playful on Pyramid In Your Backyard.