"I'll play it and tell you what it is later"
--Miles Davis--

 

HOME
J.B.: JAZZITUDE BLOG
FEATURES
REVIEWS
CD STORE
BOOKSTORE
DVD STORE
BLUESVILLE
WORLD JAM
ARTIST INDEX
JAZZ ON TOUR
LABELS
MP3
MAGAZINES
JAZZ HISTORY
JAZZ MUSIC STORE
INSTRUMENTS
GEAR/EQUIPMENT
POSTERS/PHOTO
CONTACT US
ADVERTISE
SUPPPORT JAZZITUDE

 

Roger Kellaway

Art of Interconnect-edness

 

Live at Maybeck Recital Hall, Vol. 11

The Roger Kellaway Trio

 

 

 

 

ROGER KELLAWAY
I Was There

IPO Recordings

Roger Kellaway was indeed there, as in there with Bobby Darin in the late 1960s as the singer made his transition from teeny bop pop star to swingin’ supper club crooner. Kellaway served as Darin’s pianist and musical director, and here he presents a solo piano recital of songs associated with Darin in that period. Listening to the performances of incredibly high quality on this disc, no one can fail to hear that Kellaway is a master pianist who has the ability to play a huge variety of musical styles convincingly and to move effortlessly between them.

I Was There was inspired, no doubt, by Kellaway’s recent gig as vocal coach to Kevin Spacey for his portrayal of Darin in the biopic Beyond the Sea. No matter the reason, it is a top-notch performance by an under recorded major artist. And the song selection here is impeccable: eleven jewels from the golden ages of American songwriting, two Leslie Bricusse tunes written for Dr. Doolittle, and a Kellaway original. “Beyond the Sea” gets things to a rousing start, swinging with elegance and offering a hint of the stride style of which Kellaway is one of the few living masters left. “Charade” works up a powerful maelstrom of pianistic energy while “My Buddy” becomes a languid, bluesy soliloquy. “Just In Time” develops into a stride romp and should help scuttle the notion that youngsters like Peter Cincotti and Jamie Cullum invented energetic jazz-influenced pop piano. But unlike those performers, Kellaway is so deeply rooted in jazz influences that he can toss in references to Basie big band arrangements or play with counterpoint like the best big band arrangers.

There’s more than a little Oscar Peterson influence at work here as well, which would seem to be inevitable for any pianist seeking to marry a dizzying array of styles from early New Orleans jazz to the most modern chord voicings—that’s readily apparent on the showstopping interpretation of Irving Berlin’s “All By Myself.” Kellaway never allows his own voice to be subsumed, though, and his takes on tunes that are somewhat on the overplayed side (particularly by pianists), such as “The Shadow of Your Smile” and “My Funny Valentine” will hold the interest of even the most jaded listener.

The only clinker here is the final track, on which Kellaway accompanies himself while singing Bricusse’s “Something In Your Smile.” Kellaway’s vocal simply didn’t work for me, but if he wants to sing a song I’ll gladly grant him that indulgence. I Was There is a classic solo piano album, and one that piano devotees will definitely want to own. The album’s production, overall sound quality and packaging are all done with class, which perfectly matches the approach of a class act like Kellaway.

 

 

 

Read our Privacy Policy
Site design bymib designs

©Copyright 2007 Jazzitude, Marshall Bowden