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Back in the 1940s,
the New Orleans trumpeter Willie "Bunk" Johnson was
discovered living in obscurity in New Ibersville, Louisiana. Stoking
the flames of the traditional jazz revival that had begun in the
1930s, the discovery led to an interest in traditional jazz music
and the men and women who had played it. Unfortunately, by the
end of the decade that interest had flagged and the original form
of jazz music languished once again, largely forgotten. In 1961,
however, Preservation Hall opened in New Orleans, presenting local
craftsmanlike musicians playing the music that they had helped
develop. At the same time a number of independent record labels
dedicated to traditional New Orleans-style jazz began to pop up.
One of these was Jazz Crusade, run by a young man who called
himself Big Bill Bissonnette. Bissonnette has been a tireless
advocate for New Orleans jazz and for the original black musicians
who recorded and performed (and continue to perform) this style
of music. He set up his own record label and fronted his own group,
the Easy Riders Jazz Band, which later spawned another group,
the Mouldy Five. Bissonnette organized tours to Northern cities
for musicians such as George Lewis and Jim Robinson (who is Bissonnette's
trombone-playing idol), and generally expanded the circle of listeners
who were exposed first-hand to original New Orleans-style jazz.
After a period during which Bissonnette withdrew from the jazz
scene he published his memoirs, titled Jazz Crusade, in 1992 and
reactivated the Jazz Crusade label. Since then he has released
outstanding recordings by such current and past New Orleans and
British talent as Dr. Michael White, Gregg Stafford, Geoff Cole,
Sammy Rimington, and the late Anthony "Tuba Fats" Lacen.
Jazzitude Distribution is proud to be associated with the Jazz
Crusade label. Every Jazz Crusade release can be ordered directly
here at Jazzitude, and we'll continue to offer reviews of various
Jazz Crusade releases at regular intervals. So get yourself ready
to march in that second line, all the way to New Orleans!
Featured
Jazz Crusade Releases |
Wilbur
DeParis/Live In Canada 1956 This is a
fine live collection of music by an intelligent band using
intelligent arrangements—listen to deParis quoting
from Mercer Ellington’s “Things Ain’t
What They Used to Be” (Sidney DeParis played with
the Ellington orchestra from 1945-1947) on “St. Louis
Blues.” There are also guest turns from Willie “the
Lion” Smith and vocalist Jimmy Rushing. Smith performs
“Maori” and “Zig Zag” both of which
demonstrate his prowess at the keys. Rushing does “Goin’
to Chicago” and “I Want a Little Girl”
as only he can.
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Geoff
Cole/Do What Ory Say Cole
has listened to Ory inside and out, and he is an interpreter,
not an impersonator. Rather than attempt to merely sound
like Ory (which he certainly does, at times) he tries
to think like him, to offer interpretations that evoke
Ory without slavishly imitating him. He is quite successful
in this, and though some of the arrangements here are
all Ory, Cole does not offer note-for-note solos or ensemble
passages. The opening salvo, “Yaaka Hula Hickey
Dula,” of which Ory’s version is definitive,
lets you know right away that you are in the company of
some wonderful musicians and will be having an enjoyable
time in their company.
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Tuba
Fats/Tuba Fats' Chosen Few Jazzmen This
is one of the best traditional New Orleans jazz albums you
are going to hear. Beginning with the spiritual “Lead
Me Saviour” and continuing through such stalwart tunes
as “Hindustan,” “Amazing Grace,”
and “Ice Cream” Tuba Fats provides the basis
for a band that is swinging at literally every turn. Unlike
many traditional groups who play a literal imitation of
the music played by black musicians in New Orleans in the
1920s and 1930s, these guys sound like the real deal—which
indeed they are. In other words, if a real New Orleans marching
jazz band from the 1920s could have continued to play, with
the same personnel, right up until today, this is what their
sound might have developed into.
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Gregg
Stafford & Dr. Michael White/Praying & Swaying
V.1: At the Cross
It might seem almost impossible
for a group of present day musicians to recreate that
peculiar combination of elements of the black experience
in America with the conviction and energy that was present
on such classic recordings as those found on the Jelly
Roll Morton Hot Pepper sessions or the music laid down
by Louis Armstrong’s Hot Fives and Sevens or by countless
groups of musicians who never made it into a recording
studio. Yet that is precisely what Gregg Stafford and
Dr. Michael White have done along with a group of musicians
dedicated to making sure this music is not lost to modern
listeners.
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Various
Artists/New Orleans Soundtrack This
CD features the soundtrack, out-takes, and associated
music from the 1947 film and features Louis Armstrong,
Mutt Carey, Kid Ory, Barney Bigard, Red Callender, Zutty
Singleton, Billie Holiday, and others.
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Tuba
Fats' Chosen Few Brass Band/Street Music Track
Listing: Oh! Lady Be Good*Mardis Gras Iko/Food Stamps*In
the Sweet Bye & Bye* St. Louis Woman*Big Leg Woman*Mardi
Gras In New Orleans*Those Were the Days*Red Dress*When
the Saints Go Marching In*Panama Rag*Bye & Bye*Thunderstorm*
Lily of the Valley
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Capt.
John Handy's All Star New Orleans Jazz Band/CTJC Concert
(First Half) Track Listing: Exactly Like You*Blue
Skies*Blueberry Hil*Eh La Bas*Tiger Rag*Sunny Side of
the Street*Perdido*Sheik of Araby*Tuck Me to Sleep In
My Old Kentucky Home*Handy's Boogie*St. Louis Blues
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Capt.
John Handy's All Star New Orleans Jazz Band/CTJC Concert
(Second Half) Track Listing: When I Grow Too
Old to Dream*Panama Rag*Lonesome Road*Nagasaki*Joe Avery's
Piece*Just a Closer Walk With Thee*In the Gutter*Bill
Bailey*Courbon Street Parade*Shuffle Boogie*Sister Kate*When
the Saints Go Marching In
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Dr.
Michael White & Gregg Stafford/Praying & Swaying
V.2: Blue Horizon Track Listing: Mahogany Hall
Stomp*Old Rugged Cross*Swing Low Sweet Chariot*Blue Horizon*Sing
On*Mr. Jelly Lord*NobodyKnows the Trouble I've Seen*Does
Jesus Care?*Decatur Street Special*Farewell to Storyville*Lord,
Lord, Lord*Kansas City Man Blues*Sing On
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