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Part 8: Fusion (Cont'd)
Another graduate of the school of
Miles Davis was Chick Corea, who toured extensively with
Davis after the recording of Bitches Brew. Corea can play free
jazz, heavy duty jazz rock, or acoustic straight ahead jazz with equal
aplomb. After
leaving Davis he formed the original Return
to Forever with Stanley Clarke, saxophonist Joe Farrell, drummer/percussionist
Airto Moreira, and vocalist Flora Purim. The band was very light and airy,
and
the music demonstrated how beautiful and introspective fusion could sound.
This lineup made only one other album, Light
as a Feather, before Corea retooled Return to Forever into a
heavy, technique-focused band. The new Return to Forever retained only
Corea and Clarke supplemented by drummer Lenny White and guitarist Bill
Connors, and their first album, Hymn
of the Seventh Galaxy was very different indeed. Connors was
subsequently replaced by Al DiMeola and the next release, No
Mystery, was
the blueprint for subsequent RTF albums. While fusion later suffered a
backlash because the music focused too much on technique at the expense
of having something to say, this album shows a group of young, accomplished
players at the height of their youthful energies. Romantic
Warrior, which was a concept album of sorts, was either one of
the best fusion albums or a sign of the genre's bloatedness, depending
on how you feel about its rocklike music, long solos, and perhaps overblown,
romantic European grandeur. The other members of the group went on to
release their own fusion classics: Stanley Clarke did
Stanley
Clarke and School
Days, Lenny White released Venusian
Summer and Big
City, and Al
DiMeola created Land
of the Midnight Sun and Elegant
Gypsy in addition to working with John McLaughlin. Corea
later returned to electric jazz with the Electrik Band, but his main contributions
to the format were made with RTF.
One of the most celebrated of the
original fusion bands was Weather Report, formed in 1971
by Davis alumnus Joe Zawinul and Wayne
Shorter. Originally featuring Miroslav Vitous, Airto Moirera,
and Alphonse Mouzon,
the group's first two albums, Weather
Report and I
Sing the Body Electric were logical extensions of the spacier
work found on Miles Davis' In a Silent Way. There are no real
solos, but the elements of melody, harmony, and accompanimnet are passed
around between the players. The sound is not what people normally think
of when they think of fusion, and the arrangements sound fluid and highly
improvised. Elements began to coalesce into a more tune-oriented band
on Mysterious
Traveller, and Alphonso Johnson replaced Vitous on bass, providing
his slick and much sampled composition "Cucumber Slumber." Tale
Spinnin'
provided
more of the same, though it now sounds like a transistional album on the
way to Black Market. Leon "Ngudu" Chancler, a veteran
of Miles' 1973 touring band, rotated into the drum chair. Black
Market brought in percussionist Alex Acuna and bassist Jaco Pastorious
(though he only appeared on two numbers, he quickly became a focus of
the band's live performances). The album features
some excellent writing by Zawinul and Shorter, notably "Cannonball",
"Elegant People", and "Barbary Coast." The next release,
Heavy
Weather, featured Pastorious and is the best known of the group's
work due to the hit Zawinul composition "Birdland." There is
a lot of other great stuff on this album: the ballad "The Remark
You Made", Jaco's "Teen Town" and the celebratory Shorter
composition "Palladium." The next album, Mr.
Gone, is usually seen as the start of the group's decline, but
there is still a lot going on that is interesting. The rest of the group's
output becomes a little formulaic at times, but there is something on
each one for the careful listener. The
recently release Live
and Unreleased provides a glimpse into some of the excellent
work by the group that went unheard.
Joe Zawinul has released a number
of solo albums, both under his own name
and his new band, The Zawinul Syndicate. These albums explore similar
territory to that investigated by Weather Report, with an even greater
emphasis on world music influences. Check out Zawinul,
Dialects,
World Tour, or his latest, Faces
& Places to see why Joe remains the master of fusion. Bassist
Jaco Pastorious managed to release a few good solo albums before his untimely
death as well. The best of these are Jaco
Pastorious and Word
of Mouth.
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