GEOFF
COLE'S HOT FIVE Do What Ory Say Jazz
Crusade
Trombonist Geoff Cole is a native of Exeter, England, and
has been playing since the 1950s. After moving to London,
Cole landed a position with the famous Ken Colyer Jazzman
group, which he held for 10 years. He joined Georgia Jazz,
later becoming the band’s leader, and toured with Brian
White’s Magna Jazz Band before forming his own Hot Five.
Cole’s group has recorded a number of CDs, including
tributes to Jelly Roll Morton and Fats Waller, but this set,
recorded in 1995 at the Pizza Express in Maidstone, England,
is a particularly hot session by the band.
Cole has listened to Ory inside and out, and he is an interpreter,
not an impersonator. Rather than attempt to merely sound like
Ory (which he certainly does, at times) he tries to think
like him, to offer interpretations that evoke Ory without
slavishly imitating him. He is quite successful in this, and
though some of the arrangements here are all Ory, Cole does
not offer note-for-note solos or ensemble passages. The opening
salvo, “Yaaka Hula Hickey Dula,” of which Ory’s
version is definitive, lets you know right away that you are
in the company of some wonderful musicians and will be having
an enjoyable time in their company.
Most of the tracks included here are either Ory compositions
or were recorded and widely performed by Ory, but there are
a few interesting exceptions. “White Cliffs of Dover”
is included because, as Big Bill Bissonnette recounts in his
liner notes, all of England was celebrating the 50th anniversary
of VE day on the very date of this recording session. The
performance is exceptional, embracing the New Orleans spirit
as well as evoking the melancholy tinge of the song. Cole
and clarinetist Tony Pyke, who played together for many years
in the Colyer band, play with something bordering on telepathy,
echoing the ability possessed by many early New Orleans musicians
to improvise incredible ensemble passages together that are
beyond the ability of many of today’s formally trained
jazzmen.
Pianist Pat Hawes, who has also played with Brian White’s
bands, is also in fine form here, as evidenced by his fine
work on “Song of the Wanderer.” For those who
don’t think that traditional jazz can be subtle or evoke
a variety of moods besides the raucous “party-mode”
overplayed by less skillful outfits, the range of dynamics
and emotions here will be a revelation. This is a band that
can offer more introspective playing to go right alongside
the jubilation. Cole is clearly a musician with a great deal
of intelligence and maturity who has studied his instrument
and the music of the great early jazz players and is capable
of putting his own spin on the music while still treating
it with respect.
Do What Ory Say is highly recommended to anyone
who enjoys jazz, and outstanding trombone playing in particular.
You don’t even have to be much of a trad jazz fan to
enjoy this one—the quality of this performance is obvious
to anyone with ears.